Free site to download south african mixtape

From buguma born on 19 january. Good music i promise to give til i fade. February 28, Reply. Stix is the name and Good music is the game. August 28, Reply. If you want to be updated about the possibility, make sure you subscribe to Africanhiphop. Click and start typing to search. Emphasis entrepreneurship ethiopia exchange exclusive fashion female female emcees festival fifteen years africanhiphop. The cookie is used to store the user consent for the cookies in the category "Analytics".

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Functional Functional. Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features. Performance Performance. Overall, Road 2 Ringz 2 is musically easy on the ear and offers a well-rounded picture of life in urban Cape Town. Continuing his tradition of the captivating intro with "Izitha," Sjava prepares us for a more musically diverse offering than his debut album Isina Muva.

Umqhele combines his textured voice with Ruff's sumptuous production. Following the release of his EP Umphako , he continues to show his versatility with a mixture of Afropop, maskandi, isicathamiya, mbaqanga and trap.

Although a tad lengthy, Umqhele sees Sjava in true form both vocally and thematically. By pulling us in with his raspy tone, he explores love, loss and the strains of inner-city living. With its intoxicating saxophone, the standout track "Linda" is a great example of the instrumentation Ruff pairs with Sjava's messaging throughout.

Tracks like "Umama" and "Isibhamu" balance out the romance of "Confession" and the majestic "Intombi Yam" to make for a wholesome listen. It's this variety that makes Sjava a joy to listen to, and with two solid albums on the trot, he's fast becoming the chief-narrator of South Africans' innermost feelings.

From romance to regret; his voice captures the experiences that stand out the most to us. Assessa is a spiritual person, and it seeps into her music. On uGogo , she tells relatable stories of everyday struggles faced by black people with the angst of a sangoma on the job. Her rhymes are delivered with a certain urgency, just like her subject matter.

When Assessa raps, she does so like it's the only thing she can do in the world, but she will surprise you with vocals that are influenced by maskandi and mbhaqanga. If you understand IsiZulu, uGogo will give you multiple eargasms while forcing you to think about your own life and purpose. Kly 's debut is a South African take on the trapsoul wave that swept through the world.

He stamps his Zulu identity on the portmanteau that might be termed AfricanTrapnB with local slang and expressions infused with the sound.

Keep Love Young is Wichi at his bass-heavy best with the soundscape lush, romantic and moody suiting the exploration of emotions Kly ventures into. Tracks like "Umbuzo" and "Bite" not only include vernac but place it at the center of the compositions.

Keep Love Young is a study in owning your sound and narrative. Just as the title suggested, Jabba was feeling good, and it showed in the five songs on the EP. In true Jabba fashion, the music is tailored for a great time; most of the songs are upbeat and are laced with catchy hooks that are guaranteed to stick to your head in no time.

The man's flows sit perfectly over the assortments of beat styles on the EP. He had last released the album Motswako High School in It's romantic in parts, smooth across the entire listen. JR is at his best when crooning and effortlessly purveying emotion. The key to his longevity has always been his ability to straddle through genres, and his latest effort is no different.

Throughout the album there's influences of pop, hip-hop, kwaito and RnB in typical JR fashion it all fits together. The veteran's ability to pen memorable melodies improves with each iteration of his output, and it's a testament to his quality as a musician that we tend to forget he came out during motswako's early rise.

PatrickxxLee is the avatar of being in your feels. On Nowhere Child , the MC speaks about drowning in emotions, and being so destabilized by them that you are terrible to those around you. The production is dark, consisting of distorted basslines and painful electric guitars. His vocals are distant, peeking behind a layers of vocal effects. Nowhere Child feels the way the MC probably felt when he wrote the album.

He may have pop-punk sensibilities like most rappers of his generation, but one thing you must never doubt is his rapping skills. Nowhere Child displays his adeptness with the pen and effective songwriting. He may not be in control of his emotions, as is revealed in the album, but he's in full control of his tongue.

Touchline makes a bold statement on 18Flow , showing off his rhyming skills with witty bars and quotable punchlines: "They call it gradu-wait 'cause you gotta wait for employment. A young MC displaying such confidence is always a contender for a year end list. Standout tracks "Facts," "5 Grand" and "Kuhamban" show his well-roundedness and ability to infuse a message in his songs.

While Touchline is an undeniably gifted lyricist, he's intriguing on a track like "Dance For Me" that shows his music can live as comfortably on the streets as it can on the charts. That adaptability is a hard recipe to perfect so soon, and it seems Touchline Truth's got the ingredients for it.

This youngin's got the juice, and threatens to be his definitive year. He touches on mob justice, crime, gun violence, fatherhood, and online dating among other topics. He raps passionately about loving a place you grew up in, but refusing to raise your children in because of the ills you've seen. He paints the picture of what happens in the hood on weekends, from hedonistic drinking to casual sex. Ndlulamthi's storytelling skills are second to none. His command of the Xhosa language is goosebump-inducing, as he uses clever yet accessible similes and metaphors.

He does this with a conversational delivery that's crystal clear, ensuring you get every single word. Afrikaans rapper Early B really gives us a tour into his world. Living up to the title, Aangename Kennis, which basically means "pleased to meet you," Early B lets us in on his experiences on a range of topics. His comical storytelling, paints humorous pictures of how the life of a pretty boy from the Dal, Port Elizabeth, is over upbeat pop-leaning instrumentals.

In "Duk Vir Drugs," he encourages the youth to stay away from drugs. On "In Pas Early," he warns especially young girls about the consequences of giving in to peer pressure. His flow, delivery and conviction on each track are immaculate. Though a little bit lengthy, this project is definitely a good radio-friendly offering, which is not too common with Afrikaans rap.

Dark Knights sees the Soweto-born MC and producer updating his sound while still maintaining his kasi rap roots. The 8-track EP consists of songs that mostly lean towards trap sonically, and by way of the auto tune on most of the raps. Red Button is still spitting witty punchlines, similes and metaphors, and deploying his great storytelling skills. Thematically, Dark Knights is light-hearted with some moments of intensity. Feature stories Top Story. News Video.

Mixtapes Digging in Africa. Our mixtape series focusing on forgotten and undiscovered 80s Afro grooves is now three volumes deep. Afro Cosmic Club brings